2021 Monthly Programs

 2021 Monthly Programs

Snow Days Project for December 2021


                             By Shara Reiner;  to be taught by Les Tryon

Deco Art Americana:

Warm White, Snow White, Black, Zinc, Soft Blue, Grape Juice, Purple Cow, Deep

Midnight Blue, Indian Turquoise, Whispering Turquoise, Spice Pink, Deep Burgundy, Country Red, Antique Rose, Tangelo Orange, Butterscotch, True Ochre, Espresso, Burnt Sienna, Blue Harbor, Foliage Green, Plantation Pine, Hauser med Green, Antique White

Extras: Basket from Painters Paradise, 950 Ridge Road C-10, Claymont, DE, 19703, Ph. 302-798-3897, www.paintersparadise.com

Perm Black Pen, Spatter Tool Brushes: Good flat brushes to include a #14 or 20, Maxine mop ¾, Loew Cornell 7350 #2 or Scharff 455# 1

Background: Soft Blue, add Snow people pattern, shade around Snowmen – Deep Midnight Blue, soften with mop brush














November 20, 2021

Nature’s Gifts Christmas Tree


 


 

Conical form

Glue gun (low setting if possible)

Glue sticks

Brown acrylic paint

Favorite round paint brushes

Water basin/water

Paper towels

Your favorite metallic acrylic paints

Iridescent “liquid glitter” paints (from fine to chunky)

Glazing or blending media if you need a liquid base to mix in dry glitter

Clear spray varnish

Lazy Susan (optional)

I hope that all of you will join me in fashioning a natural Christmas tree on November 20, 2021 via Zoom. (Actually, many of you may want to display yours more than just during the Christmas holidays.) Photos do not begin to capture the gossamer beauty of this project.

You will need a conical shape. Styrofoam forms work great. I even have a cone shape that is a cardboard form draped with velvet. Whatever you use will need to be painted brown. I have some forms that are rather blunt instead of pointed at the top, so I added a toothpick for a little more height.

If you are using some of your own natural findings, be sure to spread them out on a pan and heat in the oven at 225 degrees for 30 - 45 minutes to eliminate insects and eggs. Glue on acorn caps. Be sure that the form is painted brown at least a day ahead of the lesson. Preheat your glue gun well before instruction--maybe turn it on when you tune in to the meeting on your computer.

October 16,2021

Are you a Fan of Gnomes???

If so, you will want to paint Deborah Ferrell’s Thanksgiving Gnome on October 16 at 10 am on zoom:

Surface:  I use a fan blade but you can do this on any surface.  Approximately 8” by 5”

Supplies: Regular painting supplies; light and dark transfer paper; water bin; etc.

Brushes: I mainly like to use the angle shader ½ and ¼ ; wave filbert or comb; script liner; round-several sizes are fine; whatever brushes you enjoy using should be fine.

Paints: Lamp Black; Soft Black; Dark Chocolate; White; Heritage Brick; Orange Flame; Sunny Day; Moon Yellow; Raw Sienna; Tuscan Red; Black Plum; Napa Red; Warm Beige; Mistletoe; Sour Apple; Burnt Sienna; Prussian Blue

Paint your surface black or whatever background color you would like.  Transfer the pattern of the gnome and hat only.  We will put the decorations on the hat later.  Basecoat the hat in light grey or white.

If you have any questions, please feel free to call (252) 671-9622.     - Debbie














September 18, 2021

   Peggy Harris’s Boo Bunnies with Cyndie Cohn

This project is done on a black magnetic sheet, but if you don’t happen to have one, choose any surface that has “magnetic” attraction for you and paint it black.

The colors you will need are Folk Art Pigments: Burnt Umber, Fawn, Green Umber, Medium Yellow, Prussian Blue, Pure Black, Red Light, and Titanium White.  Additionally, it would help to have Folk Art Blending Gel, Floating Medium, Extender, Glow-in-the-Dark Varnish, and satin finish Artist Varnish.

To prepare: Coat the surface with Brush Extender. Paint the sky area with a mix of Pure Black, Prussian Blue, and a touch of Titanium White using a large wash brush. Paint the ground with Green Umber, letting the colors blend as they meet. Darken the top of the sky with Pure Black.  Lighten the foreground with Fawn. Use as many coats as needed. Let dry.  Seal with matte acrylic spray. Let dry. Transfer the design outlines with white transfer paper. Undercoat the bunnies and moon with Titanium White.  Seal again with matte spray.  Transfer the interior designs with gray transfer paper.

 



July 2021

                                         

                                                   Chickens in Sun July Project               

                   Liz Miller CDA Mixed Media: Pastel pencil over watercolor




 

I wanted the chickens to be a fun design full of sunshine and a little humor. The background starts with watercolor. The chickens are identified by the use of pastel pencils. 

This class will be about the process of creating this design as we paint. 

Watercolors: brands can be flexible and colors can be substituted.

Ultramarine Blue

Burnt Umber

Raw Sienna

Quin Gold

New Gamboge

Winsor Red

Any other warm colors that you like 

Pastel Pencils: I used Cretacolor but any non-oil base will do. I matched my pencils to the watercolors mostly.

472 21 Umber or Burnt Umber  -  dark brown

471 08 Chromium Yellow  -  warm yellow

471 15 Permanent red dark  -  any bright red

471  61 Prussian Blue  -  to match the Ultramarine Blue

472  03 Ochre Dark  -  similar to Raw Sienna

472 50 Ivory Black

General’s Charcoal White  -  White Chalk Pencil 

Brushes: 

Large wash brush (1 or 1 ½” wash)

¾” wash brush

Large round 

Supplies:

Plastic wrap

Course grained salt or table salt if you don’t have the course grain sea salt Mister

Board support

Artist tape

Old hand towel or wash cloth

Water container

Paper towels

Paper stumps or a clean finger

Tracing paper for pattern and for covering your surface where your hand rests, ½ sheet will do 

I used 140# watercolor paper, cold press  


June 2021

                        Chickadee on a Branch June Project                                  

Designed by Lydia Steeves   Taught by Trish Shaw

This sweet little chickadee would make a great card or would look nice on the top of a box (yes, colored pencil can be done on wood). I haven’t done the sample yet but will have some done in time for June.

Do not worry about the Gamsol. I have added the colorless blender to the supply list and that will work nicely. -Trish

Pencil Palette - Prismacolor Premier:

White PC938, Black PC935, Cream PC914, Sand PC940, French Grey 50% PC1072,

French Grey 20% PC1069, Warm Grey 70% PC1056, Sienna Brown PC945,

Warm Grey 10% PC1050, Cool Grey 30% PC1061, Slate Grey PC936,

Celadon Green PC1020, Clay Rose PC1017, Grey Green Light PC289, Colorless Blender PC1077

 

Other Supplies: ruler, pencil, waxless transfer paper like Saral, kneaded eraser, battery

operated eraser, good quality handheld eraser, drawing board, large mop or other brush to use

to sweep away pencil debris, tortillion, water brush filled with Gamsol Odourless Mineral Spirits

(OMS), Golden Archival Varnish spray


Paper - 6" x 6" white Stonehenge

 

Preparation

1. Measure and mark a 5" x 5" square.

2. Copy the line drawing onto tracing paper using your home copier if possible. If not, trace out

onto tracing paper accurately.

3. Using waxless transfer paper, transfer design onto Stonehenge accurately and lightly.


May 2021

Hi Everyone,        

                      For our May project, I will be teaching a little green turtle made with quickwood and a small spinner gourd.   If you do not have, or want to purchase the gourds, you can use a small syrofoam ball, or other small round object.  The up side to using  the gourds is the head already has a base to build on.  With a Styrofoam ball, you will need to insert a small dowel rod to build your   head on. It will be a longer process, but still doable.

I purchase my gourds locally from Paulette Disbrow.  You can contact her to make arrangements:  919-272-3797  /  paulette@pkdsp.com or you can order them from any of the NC gourd growers or online. 

 You will need:

 1 to 2 inch spinner gourd 

1 1 oz tube of Quikwood  (available at Lowes and/or Home Depot or online)

Small knife or blade
Normal painting supplies

I cannot remember the exact colors, so use what you have in these colors…
White

Dark Green
Light Green
Cad Yellow

Black
Orange or Cad Red light (for shading the yellow)

Susan








April 2021

Carol Spohn seminar for members/


March 2021


Here is what we will be painting in March.  This is an open invitation class, so please invite a friend!   These freebies from SDP are so much fun, and they give us all a chance to play.  Feel free to let your creativity flow and suggest ideas during our meeting. 

Here is a little tip on how I do all my scripting… 

I open a word doc…I choose a font…  

Set font size…  72 is largest size on the drop-down but the large A next to the font size drop down will enlarge many times over!  Figuring out how large to go?  Well, that one is up to you!

A Calm Sea
Then I grab my tracing paper, trace it on my pattern, paint it, and I have my lettering! 

Supplies that I will be using for the class are as follows: 
Note: If you do not want to buy any of the supplies, come up with alternatives and share with the group.  I am sure we would all like alternatives!!

Michaels Crafts 3 x 9 wooden art panel

www.decoart.com Deco Art Media Fluid Acrylics Prussian Blue, Cobalt Teal Hue, Diarylide Yellow, Primary Magenta, Carbon, Titanium White, Paynes Grey.

Deco Art Americana Acrylics Asphaltum, Light Buttermilk Deco Art Media Mediums Matta Medium, White Gesso.

www.thebrushguys.com Dynasty Faux Squirrel 1827 1/2 angle, #2 Rigger, #2 round,

Tracy Moreau Stencil Brush 1/2 Misc:

Tim Holtz Idea-ology Tissue Wrap Postale.

White or grey Graphite paper.

Black Gell Pen ( Signa . 38)


Doodle GEMS

February 20th. 2021  Project by Lillian Davids

 Creative Doodling is a term to describe the art of using repeat patterns (doodles) to decorate a picture or pattern. Other terms used are Line Weaving or Zentangle

 The difference between Zentangle and doodling is that doodling is done out of boredom and mindlessness (most times, the doodles are not what one plans to do) while Zentangle is focused on creating pattern designs and mindfulness (you are purposely drawing something) so that you do not think.

 Recent research in neuroscience, psychology and design shows that doodling is a powerful tool that can help people stay focused, grasp new concepts and retain information. A blank page also can serve as an extended playing field for the brain, allowing people to revise and improve on creative thoughts and ideas.

 Michael Coleman from the Rock Point School, defines doodling as simply drawing any kind of marks in any kind of way, that just feels good, might have no purpose, and might be entirely unrecognizable to someone else!  It’s like (nearly) mindless daydreaming or humming or tapping your fingers on a table. But in these activities and doodling, oftentimes, patterns, themes, and repeated symbols form and reappear.  And, of course, you can do it with pencil and paper.

 Now that we have established what doodling is, let’s get back to business!


For this project, we will be enhancing 5 gemstones with simple doodling settings and all will be connected by a chain as you can see in the finished design, color picture #1

 The supplies needed are many basics that you most of you already might have as shown on picture #2:



Prismacolor Premier Colored Pencils – Box of 36 - (I will list all the colors needed and they are all part of the 36 pencil box).

Strathmore Mix Media paper. Vellum Surface.  6” x 8” or watercolor paper HOT PRESS (Smooth surface)

Sakura Micro Pigma Pen – Black – size 3 and 5

Uni-ball Signo Broad UM-153 White – Gel Pen

Black graphite pencil

Prismacolor colorless Blender #PC-1077

Eraser or Kneaded Eraser.

A good Pencil Sharpener.

5 Tortillons (medium size)  –Optional for blending and softening the gems.

Black Graphite paper (if you are tracing your pattern)

Stylus (if you are tracing your pattern)

All these supplies are easily found at Michael’s where you can use your coupons. Dick Blick, Jerry’s Artarama, and Cheap Joe’s also are good sources.

Do not worry if you cannot find a specific item. The colorless blender (looks like a pencil but the lead is just wax), can be replaced by using a tortillon (little paper stub rolled tight). If you do not have the Prismacolor Premiers Colored pencils and have another brand, use those. All you really need for each color gem is a light, medium and dark value of each color and a black or dark blue color. You will need a White and for that I would stress to get the Prismacolor Premier White #PC-938 (Comes in the box of 36). Other brands will not give you the same results.

                                                                                                                                                            You also need to have a good sharp point in your pencils and have your pencil sharpener on hand if needed while working. The colors we will be using for all the 5 gems are as follows:

Apple Green 912                 Indigo Blue 901                   Process Red 904               White 938                                      

Black 935                            Light Cerulean Blue 904      Sienna Brown 945

Canary Yellow 916              Light Umber 941                 Spanish Orange 1993

Chartreuse 989                   Mulberry 995                       True Blue 903

Cream 914                          Olive Green 911                  Tuscan Red 937

Dark Green 908                  Orange 918                          Ultramarine 902

Goldenrod 1034                  Parma Violet 932                 Violet 932

Grass Green 91                  Poppy Red 922                    Violet Blue 933

Make sure your paper has a smooth surface (Bristol, Vellum). If you do not have a pad and don’t want to buy one, you can still paint your gems in regular copy paper. I’ve done that many times and if you just want to get your feet wet to see if you like it, try it that way. In fact, you can use the paper with the pattern given and shown on picture #3.


 

I did the gems on a 6” x 8” white cardboard Strathmore Mix Media paper Vellum Surface. If you have something else, use what you have. You can enlarge and reduce the size, but the size given on the pattern (about 4 3/4” wide x 4” height) for the whole design, is a good size to start. You don’t want to go any bigger than 1 1/2” at the widest part of your gem (setting not included).

PREP INSTRUCTIONS:

Just trace the pattern (see pic.#3) onto your surface with your tracing paper and stylus. You can also do it free hand (eyeball) with a graphite pencil. You can eliminate some of the gems if you like and do your own design position. It’s a doodle and anything goes! We will go over the tracing with a pen later and erase the tracing lines.

 

If you want, very lightly draw a pencil line as reference where the chain will go around the gems (Picture #4) or we can do it in class. Do not trace the actual chain design. That is part of the class and I’m including visual steps for the chain as well as the gem’s settings that you can see in picture #5.






If you feel like “the hell with the chain!” and just want to do the gems, use pattern #4 already done for you, and you can enjoy a nice cup of coffee while we all toil doing the chain! Your choice!

BTW, the chain is fun to do and goes quickly. It’s the first thing we’ll do and will set your brain in “doodle mode”.


And that’s it! It’s a fun and relaxing project, in which every mistake is called a doodle, every wrong and twisted line was meant to be there and every gem that does not look quite right is the one that everybody raves about because is unique!

 Let’s doodle together!

 Lillian

PS.: A short tutorial will be available before the meeting.


March 20, 2021

Here is what we will be painting in March.  This is an open invitation class, so please invite a friend!   These freebies from SDP are so much fun, and they give us all a chance to play.  Feel free to let your creativity flow and suggest ideas during our meeting. 


Here is a little tip on how I do all my scripting… 

I open a word doc…

I choose a font…   
Set font size…  72 is largest size on the drop-down but the large A next to the font size drop down will enlarge many times over!  Figuring out how large to go?  Well, that one is up to you!

A Calm Sea
Then I grab my tracing paper, trace it on my pattern, paint it, and I have my lettering! 

Supplies that I will be using for the class are as follows: 
Note: If you do not want to buy any of the supplies, come up with alternatives and share with the group.  I am sure we would all like alternatives!!

Michaels Crafts 3 x 9 wooden art panel

www.decoart.com Deco Art Media Fluid Acrylics Prussian Blue, Cobalt Teal Hue, Diarylide Yellow, Primary Magenta, Carbon, Titanium White, Paynes Grey.

Deco Art Americana Acrylics Asphaltum, Light Buttermilk Deco Art Media Mediums Matta Medium, White Gesso.

www.thebrushguys.com Dynasty Faux Squirrel 1827 1/2 angle, #2 Rigger, #2 round,

Tracy Moreau Stencil Brush 1/2 Misc:

Tim Holtz Idea-ology Tissue Wrap Postale.

White or grey Graphite paper.

Black Gell Pen ( Signa . 38)

Susan





It's not too early to start planning for the November 2021 project! We'll need to collect natural objects to attach to a styrofoam cone. I've already collected sweet gum balls and small/tiny pinecones in the last week. Every stinkin' acorn has started trying to sprout, so that'll have to wait until next fall. Small magnolia pods can be used. Even small okra pods should work. You might want to use a couple of cotton boll pods for the star on top; I used the largest sweet gum ball instead. I suppose various nuts could be used. I would suggest planning on storing the tree in a mouse-proof container lest field mice find their way to your delectable creation! You also might want to collect more than you will need in order to share with other club members. Happy hunting!       -Vivian Byrd

December 11 at 10 AM- Acrylic: “Snow Days” – Susan Tesreau



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